This is about an event I witnessed a few
years back. Though I scoured the newspapers, I never found out what it
was about. I still recall this event every time I drive through this
intersection in Hollywood...
It's Monday night, and I am driving home from a going away party in Los Feliz. Back at the party, the guest of honor requested a photo with me, and I fell apart in sobs just as the flash popped. My behavior signaling that my time at the party had come to an end, my soon-to-be-missed friend announced "why don't we walk you to your car now." Driving along the darkened city street, my sobs have subsided into a sort of disconnected melancholy. The "Cure-ish" playlist on my iPod providing an apropos soundtrack. The first chords of Modest Mouse's "Invisible" prompt me to turn the volume up. Red light at the corner of Western and Melrose, I have allowed my eyes to glaze over until I am greened, and I whisper "You're not invisible inside your car/No matter what stupid sort of mission you're on..." like a depressed backup singer for Isaac. My listless eyes register the light has changed, and I offer them bribes of a future sleep sleep to focus on the road.
It's Monday night, and I am driving home from a going away party in Los Feliz. Back at the party, the guest of honor requested a photo with me, and I fell apart in sobs just as the flash popped. My behavior signaling that my time at the party had come to an end, my soon-to-be-missed friend announced "why don't we walk you to your car now." Driving along the darkened city street, my sobs have subsided into a sort of disconnected melancholy. The "Cure-ish" playlist on my iPod providing an apropos soundtrack. The first chords of Modest Mouse's "Invisible" prompt me to turn the volume up. Red light at the corner of Western and Melrose, I have allowed my eyes to glaze over until I am greened, and I whisper "You're not invisible inside your car/No matter what stupid sort of mission you're on..." like a depressed backup singer for Isaac. My listless eyes register the light has changed, and I offer them bribes of a future sleep sleep to focus on the road.
There
is only one car ahead of me, but I have yet to move. I am searching my
steering wheel to locate the seldom used horn when a white sedan swerves
from somewhere behind me at about 80 miles per hour, careens across the
street, up onto the sidewalk and screeches to a halt narrowly missing a
storefront. A nano-second later the passenger jumps out of the car and
escapes down the road on foot. My eyebrows have barely had time to form
themselves into a furrow when swarms of cop cars come from every
direction and surround the errant vehicle. Cops emerge from everywhere,
guns drawn and ominous, some of them close enough for me to touch
through my car's open windows. I am suddenly reminded of all the
newspaper articles I have read about similar situations in which
innocent bystanders were shot in wayward crossfire. For some reason I
have never been able to fully picture this; somewhere in my naive mind
honestly believing those not involved were ushered to safety before the
bullets fly. How foolish I have been!
It is so surreal, like I am watching some new-wave technology television that puts the viewer directly in
the action. I am literally surrounded by rifle-wielding cops using the
doors of their cruisers as shields. But I am not in a movie. This is
live action, totally real-life drama happening all around me. My car is
locked in; I can't drive away, and there is nothing in this world that
will get me to leave my car on foot. It is a coping mechanism I have had
since pretty young to try to escape "unpleasant circumstances" by
viewing them as though a distant observer, and what is happening right
now is no different. I know that doing so is quite dangerous as I won't
be focused enough if I need to act in an emergency, so I struggle to
maintain focus now amidst the shouts of officers, the echoing of gun
shots, and the roar of the helicopter circling above.
As
quickly as it started, it is over. Our good vs. evil scene has
concluded with the falling of a fugitive, his lifeless body crumpled in
the spotlight of my headlights. Weapons are sheathed as our players exit
the stage, and I, the audience, leave the auditorium.
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